This piece of music speaks more of Michael Raven than it does myself.  After all, it's his talking drum improvisation that keeps the song interesting for a duration of more than nine minutes.  What I can take credit for is the didgeridoo in the beginning as well as the bass line that is made up entirely of harmonics.  The line was among the first that I wrote in an odd meter some three or more years ago.  It is in 7/8.